In effect, what I am suggesting is not that music should explore or imitate the resources of painting, but that the chronological aspect of music's development is perhaps over, and that a new "mainstream" of diversity, invention and imagination is indeed awakening. For this we must thank John Cage.From "Oaxacan Journal" in Americas, Peter Garland:
In benign and far-reaching ways, he has helped and influenced all of us . . . Listening to any of the sets of records he edited for Folkways, Music of the World's Peoples, will give a sense of his continuing legacy: if, in this century, the past, present and future have been unlocked, and the variety of the world's cultures opened to us, we have Henry Cowell, more than anyone else, to thank.
Will blog later on this Garland book once I get through it. It's got its share of thought-provoking bits, particularly on the idea of tradition among quote-unquote maverick composers.
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